The tried CGI effects round out MK CONQUEST, revealing its roots as a slipshod, half-hearted series thrown together in a hurry to make money off a popular name. Factor in characters with move sets that emulate real martial arts, interactive stages that let you knock people through floors and walls, and terrific slowdown effects that happen when both fighters’ health bars are in the red and they perform close-quarter melee attacks, and you have a fighting game that’s essentially an interactive martial arts flick. All of these effects were, in fact, miku cosplayperformed by Robert Englund, which was not confirmed until 2017 by Mortal Kombat series co-creator Ed Boon on Twitter.
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Almost impossible to do alone so get a friend to help. The attention to detail that went into the creation of the worlds and Characters of MORTAL KOMBAT can only be appreciated on the big screen and it doesn’t get any better than the sheer size and depth of IMAX. With Tekken 7, the series receives super moves (Rage Arts) and enhanced, special attacks that can blow through an opponent’s attack (Power Crush).
Action is what drives series like these, and unfortunately, the main actors had such little experience in real martial arts training that stunt doubles were continually substituted (with the exception of Daniel Bernhardt, MATRIX RELOADED) and are visible in every sequence requiring acrobatic feats, except for Siro, who rarely flips. Male homoeroticism is suggested early on in the series but very quickly banished, while female homoeroticism abounds, including two characters (Kiri and Ankha) who spend their episodes doing little more than lying around in thongs giving each other massages, caressing each others’ thighs and talking in suggestive innuendos. Conversely, hardly ANY clothing is used on the female characters, adding insult to the misogynistic world that is the mythical city of Zhu Zin.